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55 posts tagged Nature
55 posts tagged Nature
“As we live and as we are, Simplicity — with a capital “S” — is difficult to comprehend nowadays. We are no longer truly simple. We no longer live in simple terms or places. Life is a more complex struggle now. It is now valiant to be simple: a courageous thing to even want to be simple. It is a spiritual thing to comprehend what simplicity means.”
Model of Frank Lloyd Wright’s Fallingwater, Edgar J. Kaufmann House, Mill Run Pennsylvania, 1934-37, acrylic, wood, metal, expanded polystyrene, and paint, 40 1/2 x 71 1/2 x 47 5/8”. (Museum of Modern Art, New York, New York)
“… all the beauty and ugliness and turbulence one found scattered through nature, one could also find in people themselves, all collected there, all together in a single place. No matter what terror or loveliness the earth could produce — winds, seas — a person could produce the same, lived with the same, lived with all that mixed-up nature swirling inside, every bit. There was nothing as complex in the world — no flower or stone — as a single hello from a human being.”
“It is interesting to contemplate a tangled bank, clothed with many plants of many kinds, with birds singing on the bushes, with various insects flitting about, and with worms crawling through the damp earth, and to reflect that these elaborately constructed forms, so different from each other, and dependent upon each other in so complex a manner, have all been produced by laws acting around us. These laws, taken in the largest sense, being Growth with Reproduction; Inheritance which is almost implied by reproduction; Variability from the indirect and direct action of the conditions of life and from use and disuse: a Ratio of Increase so high as to lead to a Struggle for Life, and as a consequence to Natural Selection, entailing Divergence of Character and the Extinction of less-improved forms. Thus, from the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
Gustav Klimt, Fruit Trees, 1901, via uncertaintimes
(via journalofanobody)
“Words more beautiful than a found fall leaf.”
“I have a friend who’s an artist and has sometimes taken a view which I don’t agree with very well. He’ll hold up a flower and say ‘look how beautiful it is,’ and I’ll agree. Then he says ‘I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing,’ and I think that he’s kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe. Although I may not be quite as refined aesthetically as he is … I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it’s not just beauty at this dimension, at one centimeter; there’s also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don’t understand how it subtracts.”
“A painting is above all a product of the artist’s imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn’t spoil anything.”
“Faerie contains many things besides elves and fays and besides dwarfs, witches, trolls, giants or dragons; it holds the seas, the sun, the moon, the sky; and the earth, and all things that are one in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.”
“O to be a dragon,
a symbol of the power of Heaven — of silkworm
size or immense; at times invisible.
Felicitous phenomenon!”
Childe Hassam, Dragon Cloud, Old Lyme, 1903
Isaac Levitan, Silence, 1898, oil on canvas, 96 x 110 cm (The Russian Museum, St. Petersburg, Russia)
Boris Kustodiev, Summer, 1922, oil on canvas (Tretyakov Gallery, Moscow, Russia)
“In nature a repulsive caterpillar turns into a lovely butterfly. But with humans it is the other way around: a lovely butterfly turns into a repulsive caterpillar.”
“There is nothing in a caterpillar that tells you it’s going to be a butterfly.”